FRAGILE – Rennie is on the verge of losing his beloved comic book shop. When Alana walks in, everything starts to change. Secret identities are revealed, but it’s going to take more than super-strength to forge a new origin story. A monologue from FRAGILE will appear in “Best Men’s Stage Monologues of 2022”, published by Smith & Kraus.
THE GOD PART – Matthew and Leah are old hats at loss, unlucky in – well – pretty much everything. Can that change when they meet each other? Published in BEST 10 MINUTE PLAYS 2021
NATURAL – Erica and Maggie couldn’t be more different, or at least that’s how it seems to them. When Erica, very pregnant and two weeks overdue, begs Maggie to use her acupuncture and massage skills to help her go into labor, the sisters embark on an unexpected path. Published in “Birth, Death & Bourbon: 3 Short Plays by Dana Leslie Goldstein” (Next Stage Press)
UNDISCOVERED COUNTRY – They’re an unlikely pair, but Elizabeth and Teddy have been happily married for decades. After Teddy’s passing, Elizabeth struggles to find a way to go on without him, but maybe she doesn’t have to. Published in “Birth, Death & Bourbon: 3 Short Plays by Dana Leslie Goldstein” (Next Stage Press)
RED IN THE MORNING – Evan has been living in the woods, off the grid, for years. He abandoned his wife, his child, his job and his identity, with no explanation. When Evan’s father dies, Evan’s older brother, Mitch, comes looking for him. Arrows fly, blood is spilled, bourbon flows, and old wounds may have a slim chance at being healed. Published in “Birth, Death & Bourbon: 3 Short Plays by Dana Leslie Goldstein” (Next Stage Press)
EAT DESSERT FIRST – An estranged daughter comes to know her late mother, a cookbook writer, through the recipes and cooking tools she left behind. In a larger sense, EAT DESSERT FIRST is about how parents feed their children, not just with food, but with their own hopes and disappointments and absence. The title of the play refers to the title of one of the mother’s cookbooks, but EAT DESSERT FIRST is also advice the mother gives, that ultimately leads the daughter on a journey toward forgiveness. A monologue from EAT DESSERT FIRST will appear in “Best Women’s Stage Monologues of 2022”, published by Smith & Kraus. THEATRESCENE.NET: “EAT DESSERT FIRST” by Dana Leslie Goldstein is the most accomplished and was saved for last. It’s a poignant memory play about a high-powered career woman going through her recently deceased mother’s possessions.
PRETEND – Kitty and Lauren, both eight years old, are pretending to be grown-ups. But their role models haven’t been stellar, and their misunderstanding of adult behavior has both comical and painful results. NOTE: Adult actresses play these children.
BURN – A young couple has trouble getting past the life-threatening injury of their toddler. Healing is under way for the child, but it’s less sure for their marriage. Published in “Rowing to America and Sixteen Other Short Plays” (Smith & Kraus)
THIS TIME – Edie and Lang are having some issues in their marriage. When they visit an extremely unconventional therapist, everything changes in unexpected ways.
GATEWAY FOR ASHES – When elderly sisters Chana and Rifke visit Ellis Island to see the new American Immigrant Wall of Honor and search for their father’s name, the past becomes the present, and long-held questions may be answered.
TRAINWASHED, an AtrainMusical – librettist (music and lyrics by Tim Carless)
THIS YEAR IN JERUSALEM, a play with songs – librettist & lyricist (music by Jonathan Goldstein)
COURTING – Can love really conquer all? In this four-character, romantic farce, the answer is a resounding yes. George and Sylvia are senior citizens with a lust for life and each other. Ted and Christina are young academics who over-think everything. When Sylvia plays matchmaker for the younger couple, the results defy death, fate and a bad tarot reading. Love is in the air and in the cards.
ORANGES and BLUES
FLESH of my FLESH
STRANGERS ON A PLANE